‘lillygood party!’ is the brand new bbe compilation from highly respected swiss dj alex attias. taking its name from a party he runs in his native lausanne, lillygood has gradually evolved into a radio show and even a label, now on its 4th release. refecting the music he plays at the clubnight, ‘lillygood party!’ is packed with funk, disco, deep house and boogie bullets from across the globe. “the idea is to present not only rare or difcult tracks to fnd, simply good grooves for people to play out, or listen to at home.”
from rare japanese disco gems, through spiritual jazz, to genre defying sounds from broken-beat cohorts kaidi tatham and dego, ‘lillygood party!’ takes a unique trip inside the musical mind of one of dance music’s true nonconformists.
alex attias got his start in back in ’88 playing funk, house, jazz, and disco, as well as producing under various monikers such as mustang, freedom soundz or beatless. moving to london in ’97 he started his ‘visions’ label and found himself at the epicentre of the emerging west london ‘broken beat’ scene which grew around his studio at goya. releases on people, planet e, ubiquity, neroli, archive and compost followed, as well as remixes for incognito, 4hero, ennio morricone, sun ra, art blakey, roni size and laurent garnier among others.

the legion (molecules, chucky smash & cee-low) is back with some more bronx rawness for your ears! following the success of their lost tapes album from 2014, the re-release of the underground classic theme + echo = krill lp, plus the molecules & showbiz a bronx tale ep from last year, the d.i.t.c. affiliates continue to keep the buzz going surrounding their upcoming full-length album entitled three the bronx way. 1980 something and heard we quit are two certified bangers recorded at the infamous d.i.t.c. studios. the bronx trio and d.i.t.c. affiliates are back with two brand new tracks following the success of their lost tapes album, the re-release of the underground classic theme + echo = krill lp, plus the molecules & showbiz a bronx tale ep from last year. upcoming full-length album entitled three the bronx way

doom’s 1999 classic debut album is now available on a series of deluxe 7 inches. each 7 inch is housed in a full color picture sleeve featuring brand new artwork by lord scotch, the original artist behind the operation: doomsday art. when laid side-by-side, the art fits together like puzzle pieces to form one large doom image.

the youthful jazz iconoclasts of schntzl are undoubtedly among that much-talked-about new wave of belgian jazz.this brand new ep paper, wind is a moving collection of melancholic snapshots in which they keep flirting with minimalism and subtle electro.

telegraph presents «classics» a concept serie available on vinyl only including tracks released during the past 20 years – all tracks are re-mastered and cut in a 160 grams vinyl for a brand new listening experience. for the vol.1 we choose nothing but the best with tracks from robert hood, daniel bell and ben nevile originally released on the post office compilation back in 2002. enjoy!

first word records is very proud to present the triumphant return of the uk’s finest hip hop soul duo, children of zeus, with a double-header of brand new material.

the 2000black collective return to bring their very own brand of boogie,funk & jazz. production from kaidi tatham, mr mensah & dego evolves into the driving theme sunday avuncular the dance vibes of bauxite,gypsum & limestone and the steady pacing mononymous persons . always forward thinking whilst tipping a hat to that past 2000black keeps on keeping on.

a repress of our & co. ep, which was originally released in 2015. features both a rub-n-tug remix and a force of nature remix of the title track best of friends. on side a is a remix from the once new york based dj duo rub-n-tug. a2 is from the japanese dj duo force of nature. both are fitting to remix the title best of friends since we feel they are close to us. on the b side, we have the sought after original best of friends track and wine cooler bianca chandon presents & co. & co. started out as a small group of friends who surfed and skateboarded together. as they hung out in venice and shared their interests and ideas about music, sounds started to take shape. what started off with no intentions of being anything serious began to develop, inspiring music composer alberto bof, music advisor paul t. and music coordinator alex olson to think about avenues of release. inspired by a seigen ono record put out for comme des garcons in 1988 olson got the idea to release the trio s project under his brand bianca chandon. this limited 12 has embodied the spirit of the creators and the motivation of the brand to become bianca s first record release.

over the course of four unforgettable eps released on throne of blood since 2013, hardway brother sean johnston has cultivated a broad international following for his singular brand of dancefloor fodder. best known as one half of legendary dj team a love from outer space alongside the one-and-only andrew weatherall, johnston’s roots in the dance music scene include a clutch of leftfield 90’s era bangers on labels like sabres of paradise and flashcomm. beyond his original output, johnston has also remixed the likes of man power, the asphodells, museum of love, split secs, clandestino and many more. the laser ep is peaktime hardway bros business. friedman feedback loop revision (a nod to tob boss james friedmans highly-valued opinions) is a masterclass in efficient simplicity, elevating a few basic loops into an exhilarating 8 minute monster. the laser rounds out the a side with a classic electro rhythm/bass/vocal sample combo could easily have landed in retro territory. instead, hardway bros easily flips a clutch of oldschool tricks into an utterly modern execution. the b-side finds tobs label manager max pask injecting friedman feedback loop revision with his love for all things analog and italo. with his impressive collection of synths brought to life by chinatown records brennan green, the song is transformed into an epic set closer thats already devasting dancefloors like berlins panorama bar. the ep closes with afro sirene, a midtempo groover with melodic arpeggios built for the discerning djs warm-up set.

a brand new release by the prolific dj/producer from los angeles. this time it s his personal label developer archive which was introduced back in 2010 focused on vinyl only releases. this next release da09 its alot more of what he has grown so known for strictly focusing on highly effective dark gems that work in the clubs or the warehouses. this extended release gives you more of what he has to come in the future. huge release! tip!

anklepants introduces his brand new album for detroit undergroud, a collection of ten cuts, made with his very own arsenal of digital and hardware toys, most of them self made and customised for his purposes. this multi faceted artist creates a blend of twisted ryhthms, synthetic melodies and weird textures and noises, yet danceable stuff but with heavy focus in experimentation and risk.

instant music - the trio were dissatisfied with their surrounding musical environment. inspired by the velvet underground, kraftwerk, and giorgio moroder, they set out to create their own brand of neue deutsche welle fusing dada, disco, and krautrock.

vega records puts together a vinyl package with one of the hottest records in the catalog. now a classic in the uk into my life is getting a whole new treatment and will be released as a double pack vinyl. a brand new version unreleased, the original studio recording of the song before it was remixed in the house format is already being played by gilles peterson on worldwidefm.net then there are the main version, instrumental, and two original dubs, which are all remastered by vegas mastering engineer walter coelho.

with the celebrated return of dr. octagon (dan the automator, kool keith and dj qbert) in 2017 including their first-ever live performances fans are sure to keep gobbling up the space weirdness that first surfaced more than 20 years ago. get on down presents a unique picture disc, featuring the original octagon album artwork by the legendary artist pushead. the infamous doctor’s head and lower torso reach above and below the actual 45 rpm playing surface, as if trying to escape their two-dimensional status. on the a-side is a brand-new dr. octagon song, “octagon octagon,” which picks up where the original energy left off. it’s a dark and grooving glimpse into keith’s rubberband mind, jumping abstractly from line to line, chock full of equal partscharisma and dementia. on the flip is the song for which the group is most well-known, “blue flowers.” the version presented here is the amazing “prince paul’s so beautiful” remix, which first appeared on a mo wax 12” in the uk in late 1996. it was the first meeting of the two great production minds from different eras – dan the automator and prince paul would go on to collaborate many more times over the next decade, most notably as the group handsome boy modeling school. this is another great trophy for any self-respecting kool keith and dan the automator fan, combining the old and the new in triumphant fashion.

austrian imprint luv shack records is opening up yet another chapter in 2018 by welcoming irish house and techno aficionado and misfit resident andrew johnston aka moodtrax and his own-brand of super warm and brooding sound to their stable. the perfect illusion ep opens up with never can get away, a steamy & dreamy cut that sucks you right in to its lair of thick pads and trancy sequences, which are contrasted by a carefully programmed synth bassline and a stomping house beat. the title track immediately evokes early chicago warehouse jam feelings, with bass sequence, detuned chords and classic drum patterns all oozing of old analogue roland machines. the meticulously arranged percussions section and a set of eerie strings and pads make this one definitely stand out from the crowd. running number starts as a no-nonsense house track, carried by a beefy unisono bassline and a 16th note heavy drum pattern, yet it transcends into 80s territory with the help of a deeply emotional chord progression that might just make you forget you re in a club. berlin duo longhair give running number the luvremix treatment, really digging deep into that chord progression and building a melody and synth-bell infused italo-house track around it that should make this years festival crowd weep and rejoice alike.

its been a year and a half since we last saw la fleur grace watergate records with a proper ep, having been featured on remix duties for sashas trigonometry and her contribution femton to the celebrated 15 years compilation. so her brand new outbreaker ep arrives just in time to curb any impatience you might have waiting for her signature blend of house and techno aesthetics fused with modern production techniques that sets her apart from her peers. la fleur kicks things off with a wild heaving bass line and crisp, distinctive organic claps on ‘devils sigh setting the tone for the hypnotic groove that soon turns into a high energy burner of explosive bursts and an incredibly unique lead guaranteeing an absolute hit. it only gets better when one of the hottest acts on the scene, tuff city kids, lend their talents for a remix and turn devils sigh into an analog heavy, future-retro banger thats as different as it is the same as the original, creating a perfect alternative to the already killer original. wrapping things up, la fleur takes it a little slower and deeper with outbreaker by utilizing lush organic percussion and washed out guitars to build a tune that will be the anthem for early mornings, open airs and beach sessions alike. we couldnt be happier to have the first lady of watergate back at the controls and we think you will agree.

doom’s 1999 classic debut album is now available on a series of deluxe 7 inches. each 7 inch is housed in a full color picture sleeve featuring brand new artwork by lord scotch, the original artist behind the operation: doomsday art. when laid side-by-side, the art fits together like puzzle pieces to form one large doom image.

doom’s 1999 classic debut album is now available on a series of deluxe 7 inches. each 7 inch is housed in a full color picture sleeve featuring brand new artwork by lord scotch, the original artist behind the operation: doomsday art. when laid side-by-side, the art fits together like puzzle pieces to form one large doom image.

doom’s 1999 classic debut album is now available on a series of deluxe 7 inches. each 7 inch is housed in a full color picture sleeve featuring brand new artwork by lord scotch, the original artist behind the operation: doomsday art. when laid side-by-side, the art fits together like puzzle pieces to form one large doom image.

doom’s 1999 classic debut album is now available on a series of deluxe 7 inches. each 7 inch is housed in a full color picture sleeve featuring brand new artwork by lord scotch, the original artist behind the operation: doomsday art. when laid side-by-side, the art fits together like puzzle pieces to form one large doom image.

doom’s 1999 classic debut album is now available on a series of deluxe 7 inches. each 7 inch is housed in a full color picture sleeve featuring brand new artwork by lord scotch, the original artist behind the operation: doomsday art. when laid side-by-side, the art fits together like puzzle pieces to form one large doom image.

the next yoshitoshi classic is here and it s a heavy one - dino lenny s -i feel stereo.- anyone on the scene in 2001, when this monster tune was originally released, remembers its pulsing rhythms and ear-catching vocal hook. seventeen years later, -i feel stereo- is back with three remixes from some of the finest artists around. steve lawler (working here as lawler) has crafted a badass, bassline-driven house track that pummels with all the energy of the original. steve continues his reign as as key innovator in dance music, modernizing this classic with unquestionable finesse. the red axes boys deliver their silky smooth brand of minimal house with a variety of distorted arpeggio riffs, futuristic chimes, and other left-field sounds that make their remix truly unique. it s another ace production from the israeli duo. last but certainly not least, up-and-comer frankyeffe, who delivered the goods on his collaborative splitting minds ep with loco & jam last fall, serves up some impeccably produced techno for big, loud rooms. the italian phenom s mix is absolute savagery. of course, it wouldn t be a yoshi classic pack without a remastered original mix.

following the success of last years kunta kinte 2017 riddim, brooklyn-based label and collective dub-stuy add a new installment to their popular dancehall inspired series with a fresh riddim from in-house producer dj madd, featuring international vocalists from jamaica, spain and bermuda. jitta riddim is a brand new production from dj madd, a sturdy yet spacious riddim carried forward by a lilting melody and guitar stabs that are anchored by slapping snares, dub flourishes and a rolling bassline. this is a weighty but energetic riddim with the dancefloor in mind. bringing the riddim to life are a trio of vocalists representing the roots and global expansion of dancehall and sound system music. spains sr. wilson delivers an anthem in the making with zapatillas, a song dedicated to all the sneaker heads worldwide who like to sport fresh kicks when they hit the dancefloor. singing in his native spanish and english, sr. wilson shares tales of daily shoe addiction around a catchy refrain that name checks the best known brands. his blend of reggaeton-flavoured autotune and kicks geek outs is sure to resound loudly around clubs worldwide. backing him is jamaican veteran deejay cutty ranks, a man whos been lending his distinct flow to productions for over 30 years. on double trouble cutty speaks to the daily realities of life on the streets and the ills keeping people down, warning of the trouble that awaits those in charge. wrapping up the release is bermudas troy berkley who aims his vocal rifle straight to the orange-skinned resident of the white house, spitting rapid fire lyrics about the deteriorating state of things in 2018 america. lace up your sneakers and get ready to move and chant with dub-stuy’s new riddim.

forriner are lee forster (last waltz) and oli warriner (traela) having both previously released material under their respective projects on labels such as… esp institute, mule musiq, hhatri and world unknown to name a few. the duo released their first offering on futureboogie recordings to great success, picking up airplay on bbc radio 1. with material on man powers mememe and a forthcoming release on father & son records and tapes, poland. this is the first release on their brand new imprint, forriner music the release features two forriner originals whilst collecting remixes from underground heavyweights, persus traxx and frank butters.

exclusive physical release of brand new gaz coombes track the oaks with a fantastic new remix by leftfield

fresh for 2018 the ever pioneering octave one are bringing us some brand new music for the new year. using their much loved random noise generation alias the upcoming release entitled n2 the enfinate , contains a new single as well as a remake of rock my soul in the form of the reborn vocal remix . the first random noise generation release was falling in dub in 1991 and sounding just as fresh 27 years later,‘n2 the enfinate’ is due for release this march. for this single a retro energy has been explored in the title track the enfinate , running parallel to a more contemporary groove and rolling, marauding baseline. the second track on the package, rock my soul (reborn vocal remix) starts with a strong intent and a weighty bassline paving the way for precise and bright chord stabs. the single is taken from the new album endustry, a full body of work encompassing 7 full length cuts, set for release in spring. after touring and making music for decades the spirit and essential energy of the craft is what keeps them eternally inspired to keep creating and touring the globe. once it takes hold of you you cant stop even if you wanted to. say the brothers.

tenderness is four cuts of emotional dance music from super tuff label head, m. vaughan. with galloping shakers underpinned by a weighty sub-bass, the a1 cut moon river is a blue-eyed peak time anthem. turn around! is an a2 track with heavy duty low end and a tender pitch shifted vocalia wonky patchwork of melodies that sums to something reminiscent of early herbert. for the b-side, tenderness at 117 bpm is a soft, opening tune that serves up a breaky drums, liquid pads, and a well-placed harp solo. -when it all happens. is a dj aakmael inspired groover that leaves the ep with a driving kick, chunky moog bass, and a vocal sample wailing out from the pains of heartbreak. dont cry! get intimate with a brand new copy of m. vaughans tenderness from super tuff.

uppermost will be releasing his upcoming album on march 23, 2018 with a completely new perspective that should change the course of his career, expanding to a brand new pop oriented approach but keeping his french signature at the core of the project. his previous hit tracks flashback and beautiful light have already generated more than 27 million combined streams across platforms, while mercedes-benz selected uppermost single disco kids to be featured in their formula one advertising campaign and starz/encore chose another of his instrumentals for their 2018 tv spot only few weeks ago. uppermost is being closely followed by international media leading to great articles from influent press channels such as djmag, vice, complex, paper magazine, and famous radios such as bbc 1 and virgin. in addition to releasing music via his own independent label uppwind records, uppermost has released music through powerful labels such as sony and ministry of sound and done official remixes for dada life, lemaitre and crystal fighters. he has also already shared french festival solidayss stage with madeon, yelle, fakear and die antwoord

so you wanna be a star 24 carat disco gold from 1980 right here. mtume, led by legendary jazz percussionist and all-round musical visionary james mtume had a number of massive hits and can count quite a few classics within their repertoire ( juicy fruit anyone?). this flawlessly arranged, funk drenched jam speaks on the dangers of living life too fast and relying on those who can t be trusted. remember, this was the beginning of the 1980s, the disco era had began to fade amidst the drug hazed excesses of the previous decade, while the music continued forging it s path skyward with tremendous records like this one. so you wanna really has a message and that s not surprising considering it has one of the most underrated production teams behind it in the shape of mtume / lucas. a true gem of the post-disco era. essential and rare. this repress of the original epic promo from 1980 is backed with a brand new re-edit from one of nyc s disco kings mr.k aka danny krivit. with almost half a century spent behind the turntables in nyc and beyond he surely understands records like so you wanna be a star intrinsically, he was, after all, there when it all happened! this classic has been legally reissued by above board distribution in conjunction with the legal rights holders sony music entertainment. this high quality repress features original epic label disco 12inch artwork and has been remastered from sonys original sources by optimum mastering, bristol uk.

zodiak commune records presents the third release in the insectum serie with a brand new ep from yakh called “the earwig ep”. this french natural talent locked himself up in his studio for us. you’d better check out this one. nice experimental limited collector!

a classic karizma cut complete with brand new reworks brings the heat for rsd on atjazz s effervescent arc label. originally released on hustle back in 2006, new interpretations from atjazz himself & osunlade add a whole new vibe to the track set to wow fans of the original & newcomers alike.

i wonder is the first vinyl release on sean mccabes excellent good vibrations music label. originally featured on nathan adams audio therapy lp (2013) on tribe records, i wonder demonstrates nathan s ability to write real heartfelt songs spectacularly delivered & oozing soul. the original, which saw early support from louie vega, dj spinna, mood ii swing, joey negro and kevin hedge, is now released as a single for the first time on sean mccabe s good vibrations music label. complete with brand new remixes from the one & only louie vega, and a killer late night dub from sean - this is the real deal

stash 01 is the debut release of stash trax, a brand new imprint based in france. the label focuses on deep and groovy visions of house music produced exclusively on wax. this first various delivers 4 tracks one from each member of the label. each artist offering a different definition to the word deepness.

four exclusive tracks taken from efdemins brand new second mix-album called naïf. unreleased music by tobias freund, simone gatto & aubrey, sebastian mullaert and efdemin himself.

super rhythm trax is excited to unveil their brand new side label. bleeper, which will concentrate on a slightly tougher strain of techno. the first four releases are in production and will be enough to give you a strong idea of where the label will be going! first out of the gate are ford foster (unknown to the unknown/opal tapes) and frankie castle with bounce that, an ingenious ghetto house jam with a serious twist, backed with a jerome hill remix that strips the whole thing down leaving the bare ingredients to do damage on the dancefloor. also included are an instrumental version of the original, and the slo mo banger shake that.

eomac is back in 2018 with a brand new album. after an intentionally quiet release schedule in 2017 to focus on developing a new label and presenting a monthly show on radar radio, he returns to the album format with the 11-track reconnect. it is his third studio album proper and the first on his burgeoning eotrax imprint. continuing where bedouin trax and temple of the jaguar left off, reconnect moves even further from the contemporary dancefloor and club environment and deep into uncharted territory. drawing influence from traditional irish music, haitian voodoo drumming, the raw old-school jungle of source direct and the abstract rhythms of autechre, eomac has crafted a dense, multi-layered and polyrhythmic exploration of percussion, texture and movement.

desert island edits isn t just another re-edit label, but an outpost to turn forgotten disco, italo and balearic gems into brand new extended versions and modified remakes from the talented and elusive carlos cezaro. desert island edits no. 1 starts on a high with cezaro s mj s vacation which transforms rock with you into a 21st century balearic groover. warm chords, dreamy brass and a hypnotic bassline. this one has the right ingredients to move anyone from poolside to dance floor. over on side b, carlos takes on the 80 s soul classic sexual healing and constructs a low-slung groover with lush rhodes keys and ethnic hints, perfect for those lazy sunsets and warm evening sessions. keep an eye out for future limited releases from desert island edits as well as beach parties and guest appearances from ibiza to bali, spreading the desert island love throughout the globe. limited hand-stamped numbered copies...

legendary australian disco-fiend late nite tuff guy turns up the heat on the equally legendary salsoul records with 3 absolutely stellar reworks of some bonafide classics. somehow, lntg manages to tweak these old-school recordings and injects a thoroughly contemporary edge into them, making them sound brand new. featured here are 3 stone cold salsoul monsters, all respectfully handled and edited with care - first choice s uber-classic doctor love & love having you around (penned by stevie wonder & his then wife syreeta, no less!) and double exposure s anthemic everyman all go under the knife in the best possible way! beautifully mastered and featuring special black & gold salsoul label artwork this special record store day ep will undoubtedly be a collectors item! one for the disco heads right here!

the pendletons return with their latest ep, funk forever, a jazz flavored boogie affair with soul inspired song-writing that evokes old school vibes while still staying fresh and current. horn lines, yamaha dx7 keys and snapping hip hop inspired drum programming topped by sweet singing with heartfelt themes, the group carves out a bold new sound on these 5 solid tracks. featuring elive, potatohead people and ishtar. the pendletons are a long-standing boogie-funk and modern soul project of e da boss (of myron and e on stone s throw) and trailer limon. the group emerged with their very first release in 2010, a 7inch inch of coming down/waiting on you on the slept on record label, which set the tone for the group to emerge it instantly became a cult classic receiving constant play at nights like sweater funk and funkmosphere, and fetching for serious sums among collectors. most recently, in 2016, they released the ep gotta get out. the title track caught the ear of renowned dj gilles peterson, who liked it enough to release it on his brownswood bubbler compilation. in 2018 the group is hitting the ground running with a brand new ep out this spring, and a full-length album to follow later later in the year on the renowned bastard jazz label. now armed with a horn section, a vast array of accomplished jazz and funk contributors, and a knack for quality song-writing, the pendletons sound has shaped into something fresh and unique, setting it apart from the legions of imitators.

vinyl only ... memento is proud to announce a brand new maxi-single of the extraordinary lithuanian producer mario basanov, better known as ten walls. with this moniker, marijus adomaitis has been releasing a bunch of deep house gems, and has remixed artists such as robert owens and hercules & love affair -swan- begins with a smoky dramatic introduction, that in a rapid glance become a obscure minimalistic dancefloor killer with a grueling bass line and unremitting hi-hats. finally taking off with a gust of monochromatic sequences and a whirl of dampings. in -lake-, after a dense windy evocative prelude, metallic percussion leave the footprint to the headway of a stomping kick drum and a mesmerizing bass line. sedately flowing synthetic notes, filtered bleeps and rapid beads lead the track to a grandiose finale in which whiffle and wafts become an ubiquitous polyphonic pad.

paradise palms presents a brand new 7inch from rising producer tom blip, who heads up the globetrotting record label blip discs and has found his own productions in hot demand, showing up in sets from the likes of four tet, gerd jansen & pearson sound. rez / crazy arps is a bold 7inch of crunchy drum machine-driven boogie, tracked hot to tape and peppered with toms wormy sh101 riffs. rez / crazy arps is available on 7inch

bawrut has had an amazing couple of years. since kicking our label off back in 2015 with the modern acid classic ciquita (12inches of which will now set you back silly money on discogs), the madrid-based producer has gone from strength to strength. last year saw him tear down sets at sonar and farr festivals, drop a feted new ep on hard fist records, and have his music soundtrack numerous adverts for fabric events. other djs have been quick to show their appreciation, and bawrut’s unique appeal can be seen in how far and wide across the spectrum his music has featured. optimo, avalon emerson, patrick topping, jackmaster, artwork, andrew weatherall and many more have all supported heavily. were proud to kickstart bawrut’s 2018 with 4x4, a brand new ep of typically leftfield bangers. these four tracks come on like a whirlwind journey through a bawrut dj set, with something for every time of the night. ghettoscar fuses african chants with burbling acid, building the kind of goodtime dancefloor warmth bawrut is famed for. more cowbell does exactly what you’d expect, giving djs a glorious, cowbell-powered disco bomb that fuses the spirit of incredible bongo band with classic nyc house. i hear voices is a crazy ride, with an expertly cut up vocal sample repurposed into a weird, descending riff that’s quite unlike anything else out there. throw in bawrut’s trademark kitbag of carnival whistles, rattling latin percussion and a creeping acid line that works itself up into a soul-salving joy and youve got a modern classic on your hands. finally, lead track three sounds is probably bawruts biggest moment to date, a peak time jacking techno monster built from the most minimal of elements - drums, claps, a one note bass squelch and a tom drum gone wild. bawrut takes this tom sound and treats it like a 303, pushing far off the rails, working it up and up, twisting it through pitch and frequency like a man possessed, raising its pressure til it tears off the roof. theres no one else making techno quite like it - and you can expect dancefloors to be going crazy to the mania of three sounds throughout 2018 so there you have it - four more missives from the wizard of madrid. play em loud.

brand new 4 track ep from la based producer oxóssi on truth’s ever-impressive deep dark & dangerous imprint. features a collaboration with saule.

soulquencies is a perfect harmony of deconstructed soundsystem music. beautifully rebuilt with ambient textures, it hints towards grime and steppers while all the time melodious, musical and underpinned with bass weight. it perfectly transcends from clean and heavenly harmonies to bass pressure and grit – icy to warm in a masterful way. this is the first full length album on scrub a dub and we couldn’t be prouder of this piece of music, which is equally at home on a hi-fi or a soundsystem. soulquencies is the brand new album from the artist aquarius, a classically trained musician from tokyo who cut his teeth in the music industry in glasgow in the early noughties. he hosted some of the city’s frst dubstep nights bringing artists like silkie and goth trad, and taking small basement sessions into the bigger clubs, supporting mala at the art school. he played at some of the frst outlook festival parties and was a trusted tour engineer for mungo’s hi fi soundsystem, before returning to tokyo where he distilled his experiences and musical vision into this project.

it sounds ridiculous to state that this is efdemins best release so far on curle, when you realise thats the artist that brought us classics like acid bells and america... but the whole ep truly is amazing from start to finish. all tracks feature efdemins brand new second mix-album called naïf.

klasse co-boss mr. ho steps up to the plate and knocks it out of the park with a new ep of brand new and original material. inspired by listening to various library music and funk records found whilst digging in asia, the hong kong based artist lays down three tracks of boogie-disco and funk inspired house music. funky walking basslines, eerie 1980 s synthetics and spacey snares make for a total tip!

hard work is the first release on industria, robi insinna s brand new project label.

back in 2001 robi insinna founded the seminal relish label in direct response to a then- dominant sound in club music. its catalogue is as vast as it is varied and foreshadowing the music he d go on to make himself under headman/manhead. fast forward to 2018 and after more than a decade he s on the move again launching new project label, industria with not quite an album, not quite an ep, hard work. robi felt there was no reason to split projects the way he did with his aliases and as such the debut will be released under robi s own name.
industria will be focused more on vinyl releases, but not solely vinyl. the project will encompass all area s of robi s work and ties together elements of his art and visual design projects.
limited to 150 numbered copies.

inside out is a brand new series that invites djs and producers to blur the boundaries between traditional artist albums and mix compilations. coming from aus music label head and dj-kicks curator will saul is at the helm for the first volume.

funky country vo.2 versammelt wieder obskure und unterschätzte country-funk, blue-eyed-soul und andere schwungvolle rhythm & blues kuriositäten aus den sechzigern und siebzigern. die stücke auf diesem album sind so gut wie die von berühmten künstlern wie little richard, jerry lee lewis, tom jones oder jack hammer.